Samples
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The text of this work comes from poetry anthology Nine Songs written by a great Chinese poet Qu Yuan. Nine Songs consists of 11 poems and presents various parts that reflect rituals of ancient China.
Though written for brass, Uskok Rhapsody sounds unlike any brass music with which most ears are familiar. To begin with, its instrumentation is unconventional: three brass quintets rather than the standard ensemble. Ristic describes the work as “a catalogue of psycho-geographic memories” that he collected while visiting the Uskok region of Montenegro.
Created to mark the twentieth anniversary of the fall of the Berlin Wall, this piece does not merely celebrate that momentous event; its larger purpose is to explore through music the entire story of the city’s division. Each of its six movements is inspired by historical events during the Wall’s rise and fall.
Lila is a Hindu creation myth in which Brahman, the supreme universal spirit, transforms himself into the world. Frehner draws a parallel between this concept and his own compositional process: a single musical idea may seem to come out of nowhere to become part of the composition, travelling and developing in many possible directions.
Daniel’s oratorio is an exploration of that unknown Lavinia from William Shakespeare’s blood-soaked revenge tragedy Titus Andronicus. The solo vocal groups, consisting of soprano and four male singers (countertenor, two tenors, and baritone), collectively speak with Lavinia’s internal “voice” while the chorus provides external commentary and acts as the voices of those around her.
The emotional roots of this piece lay in Murphy’s own thoughts about the flaws of society and the arrival of the new millennium in the year 2000. The single-movement piece is divided into three sections (fast, slow, fast) that unfold over approximately twelve minutes. It opens with an expressive cello solo that gradually climbs to a high C sharp.
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Special Thanks
Some recordings courtesy of CBC Radio 2 and CBC Retail & Licensing, The Revenue Group.