11/29/2011 |
Tango: Del Amor Imprevisto |
James Rolfe |
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Rolfe’s own words best describe the challenge he faced in composing this work—the difficulty of writing from outside of the culture and style—and how he rose to meet it: “As an Anglo-Canadian composer writing a tango, I’m skating on thin ice. How can my stolid northern soul find its way into the very particular language, singing, rhythm, and soul of this dance?"
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11/29/2011 |
Serbian Tango |
Ana Sokolovic |
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The intention behing this commission was to create new approaches to a familiar form by seeing it afresh through a contemporary lens. Sokolović’s contribution is inspired both by jazz and by the traditional Serbian dance known as kolo.
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03/23/2011 |
Breathe |
James Rolfe |
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'Breathe' redefines many musical periods through its blending of ancient and modern texts, and through the performance of new music with historical instruments and techniques. Each part of the piece focuses on one of the four classical elements—air, fire, water, and earth—all of which are strongly present in the poems Rolfe has chosen for his text.
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11/24/2009 |
Berliner Konzert |
Paul Frehner |
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Created to mark the twentieth anniversary of the fall of the Berlin Wall, this piece does not merely celebrate that momentous event; its larger purpose is to explore through music the entire story of the city’s division. Each of its six movements is inspired by historical events during the Wall’s rise and fall.
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01/17/2006 |
Lila |
Paul Frehner |
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Lila is a Hindu creation myth in which Brahman, the supreme universal spirit, transforms himself into the world. Frehner draws a parallel between this concept and his own compositional process: a single musical idea may seem to come out of nowhere to become part of the composition, travelling and developing in many possible directions.
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04/22/2004 |
A Musical Offering |
Omar Daniel |
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Prompted both by the polyphonic nature of Bach’s 'Musical Offering' and the spirit of adventure it evinces, Daniel chose to freely rewrite Frederick’s theme, using fragments and motifs from it.
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04/22/2004 |
Fred and John Were Having Tea (When I Dropped By) |
Melissa Hui |
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Hui uses traditional gestures idiomatic to the piano trio to translate and transform the original theme. Her piece contains virtuosic lines for all instruments, each of which exists alone, and within, a densely contrapuntal texture.
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04/22/2004 |
Freddy's Dead |
James Rolfe |
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Rolfe emploie certaines des méthodes que Bach a lui-même utilisées pour l’Offrande musicale, notamment le renversement, le rétrograde et le renversement du rétrograde. La majeure partie de Freddy’s Dead est dérivée du troisième mouvement de la sonate en trio de l’Offrande musicale, dont Rolfe a accéléré le matériau pour ensuite le contraindre en l’ajustant aux temps forts (clé de fa) et aux temps faibles (clé de sol).
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04/22/2004 |
Vorwissen |
Paul Steenhuisen |
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Steenhuisen grapples in his piece with what he calls the “retrograde/palindrome problem”—the fact that, while music moves forward through time, the concept of a retrograde melody or musical palindrome requires the listener to experience the music moving both forwards and in reverse.
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05/08/2021 |
Nonet |
Ana Sokolovic |
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The characteristic playfulness of Sokolović’s music is prominently represented in this short piece, which the composer has dedicated to her son Gustave. Her aim in Nonet was to create a progression from static, non-evolving material to material that is faster and more directional, and then to repeat this process several times to achieve a humorous effect.
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