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Premiere Title of Commission Composer Listen
03/05/2005 The Passion of Lavinia Andronicus Omar Daniel Listen Close

Daniel’s oratorio is an exploration of that unknown Lavinia from William Shakespeare’s blood-soaked revenge tragedy Titus Andronicus. The solo vocal groups, consisting of soprano and four male singers (countertenor, two tenors, and baritone), collectively speak with Lavinia’s internal “voice” while the chorus provides external commentary and acts as the voices of those around her.

06/13/1997 Borealis Harry Freedman Listen Close

Borealis makes use of such antiphonal and spatial effects. It also, as its title suggests (Borealis being Latin for “of the north”), draws inspiration from another awe-inspiring space: the frozen vastness of the Arctic. The text used in the piece is an abstraction of Inuit and other aboriginal languages.