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The piece reflects structures found in Bach’s score and imagines how unlikely instruments, including stylophones, omnichords, oscillators and vinyl would work in Baroque practices, such as in basso continuo, canons, chorales, or hockets. The psychological concept of Hymns to Pareidolia invites us to embrace unexpected sensory illusions as familiar.
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A contemporary piece for piano, synthesizer and computer that employs arabic rhythms, electronics and sampled percussion, and combines meticulous notated structures with modal improvisation sections.
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